Books with title The People of the Abyss: Complete With 80 Original Illustrations

The Magic City is a children's book by E. Nesbit, first published in 1910. It initially appeared as a serial in The Strand Magazine, with illustrations by Spencer Pryse.After Philip's older sister and sole family member Helen marries, he goes off to live with his new step sister Lucy. He has trouble adjusting at first, thrown into the world different from his previous life and abandoned by his sister while she is on her honeymoon. To entertain himself he builds a giant model city from things around the house: game pieces, books, blocks, bowls, etc. Then, through some magic, he finds himself inside the city, and it is alive with the people he has populated it with. Some soldiers find him and tell him that two outsiders have been foretold to be coming: a Deliverer and a Destroyer. Mr. Noah, from a Noah's Ark playset, tells Philip that there are seven great deeds to be performed if he wants to prove himself the Deliverer. Lucy, too, has found her way into the city and joins Philip as a co-Deliverer, much to his chagrin.

The People of the Abyss (1903) is a book by Jack London about life in the East End of London in 1902. He wrote this first-hand account after living in the East End (including the Whitechapel District) for several weeks, sometimes staying in workhouses or sleeping on the streets. In his attempt to understand the working-class of this deprived area of London the author stayed as a lodger with a poor family. The conditions he experienced and wrote about were the same as those endured by an estimated 500,000 of the contemporary London poor. London also used the expression "the people of the abyss" in his later dystopian novel The Iron Heel (1907).There had been several previous accounts of slum conditions in England, most notably The Condition of the Working Class in England (1845) by Friedrich Engels. However, most of these were based on secondhand sources. Jack London's account was based on the firsthand experience of the writer, and proved to be more popular.Jacob Riis's sensational How the Other Half Lives (1890) has been suggested as a source of inspiration for The People of the Abyss. A contemporary advertisement for Jack London's book said that it "tingles" with the "directness only possible from a man who knows London as Jacob Riis knows New York," suggesting that his publisher, at least, perceived a resemblance.When London wrote The People of the Abyss, the phrase "the Abyss," with its hellish connotation, was in wide use to refer to the life of the urban poor. H. G. Wells's popular 1901 book, Anticipations, uses the expression in this sense some twenty-five times, and uses the phrase "the People of the Abyss" eight times. One writer, analyzing The Iron Heel, refers to "the People of the Abyss" as "H. G. Wells' phrase."George Orwell was inspired by The People of the Abyss, which he read in his teens, and in the 1930s he began disguising himself as a derelict and made tramping expeditions into the poor section of London himself, in emulation of Jack London. The influence of The People of the Abyss can be seen in Down and Out in Paris and London and The Road to Wigan Pier.The British newspaper journalist and editor Bertram Fletcher Robinson wrote a review of The People of the Abyss for the London Daily Express newspaper. In this piece, Fletcher Robinson states that it would be "difficult to find a more depressing volume."

The People of the Abyss by Jack London, 19.3The People of the Abyss (1903) is a book by Jack London about life in the East End of London in 1902. He wrote this first-hand account after living in the East End (including the Whitechapel District) for several weeks, sometimes staying in workhouses or sleeping on the streets. In his attempt to understand the working-class of this deprived area of London the author stayed as a lodger with a poor family. The conditions he experienced and wrote about were the same as those endured by an estimated 500,000 of the contemporary London poor. London also used the expression "the people of the abyss" in his later dystopian novel The Iron Heel (1907).There had been several previous accounts of slum conditions in England, most notably The Condition of the Working Class in England (1845) by Friedrich Engels. However, most of these were based on secondhand sources. Jack London's account was based on the firsthand experience of the writer, and proved to be more popular.Jacob Riis's sensational How the Other Half Lives (1890) has been suggested as a source of inspiration for The People of the Abyss. A contemporary advertisement for Jack London's book said that it "tingles" with the "directness only possible from a man who knows London as Jacob Riis knows New York," suggesting that his publisher, at least, perceived a resemblance.When London wrote The People of the Abyss, the phrase "the Abyss," with its hellish connotation, was in wide use to refer to the life of the urban poor. H. G. Wells's popular 1901 book, Anticipations, uses the expression in this sense some twenty-five times, and uses the phrase "the People of the Abyss" eight times. One writer, analyzing The Iron Heel, refers to "the People of the Abyss" as "H. G. Wells' phrase."George Orwell was inspired by The People of the Abyss, which he read in his teens, and in the 1930s he began disguising himself as a derelict and made tramping expeditions into the poor section of London himself, in emulation of Jack London. The influence of The People of the Abyss can be seen in Down and Out in Paris and London and The Road to Wigan Pier.The British newspaper journalist and editor Bertram Fletcher Robinson wrote a review of The People of the Abyss for the London Daily Express newspaper. In this piece, Fletcher Robinson states that it would be "difficult to find a more depressing volume."

Captain Crewe, a wealthy English widower, has been raising his only child, Sara, in India where he is stationed with the British Army. Because the Indian climate is considered too harsh for children, British families living there traditionally send their children to boarding school back home in England. The captain enrolls his young daughter at Miss Minchin's boarding school for girls in London, and dotes on his daughter so much that he orders and pays the headmistress for special treatment and exceptional luxuries for Sara, such as a private room for her with a personal maid and a separate sitting room (see Parlour boarder), along with Sara's own private carriage and a pony. Miss Minchin openly fawns over Sara for her money, but secretly and jealously despises her for her wealth.Despite her privilege, Sara is neither arrogant nor snobbish, but rather kind, generous and clever. She extends her friendship to Ermengarde, the school dunce; to Lottie, a four-year-old student given to tantrums; and to Becky, the lowly, stunted fourteen-year-old scullery maid. When Sara acquires the epithet “Princess,” she embraces its favorable elements in her natural goodheartedness.After some time, Sara's birthday is celebrated at Miss Minchin's with a lavish party, attended by all her friends and classmates. Just as it ends, Miss Minchin learns of Captain Crewe's unfortunate demise. Furthermore, prior to his death, the previously wealthy captain had lost his entire fortune; a friend had persuaded him to cash in his investments and deposit the proceeds to develop a network of diamond mines. The scheme fails, and Sara is left an orphan and a pauper, with no other family and nowhere to go. Miss Minchin is left with a sizable unpaid bill for Sara's school fees and luxuries, including her birthday party. Infuriated and pitiless, she takes away all of Sara's possessions (except for some old frocks and one doll), makes her live in a cold and poorly furnished attic, and forces her to earn her keep by working as an errand girl. She forces Sara to wear frocks much too short for her, with her thin legs peeking out of the brief skirts.For the next several years, Sara is abused by Miss Minchin and the other servants, except for Becky. Miss Minchin's kind-hearted sister, Amelia, deplores the way that Sara is treated, but is too weak-willed to speak up about it. Sara is starved, worked for long hours, sent out in all weathers, poorly dressed in outgrown and worn-out clothes, and deprived of warmth or a comfortable bed in the attic. Despite her hardships, Sara is consoled by her friends and uses her imagination to cope, pretending she is a prisoner in the Bastille or a princess disguised as a servant. Sara also continues to be kind and polite to everyone, including those who treat her badly. One day, she finds a coin in the street and uses it to buy buns at a bakery, but despite being very hungry, she gives most of the buns away to a beggar girl dressed in rags who is hungrier than herself. The bakery shop owner sees this and wants to reward Sara, but she has disappeared, so the shop owner instead gives the beggar girl bread and warm shelter for Sara's sake.Meanwhile, Mr. Carrisford and his Indian assistant Ram Dass have moved into the house next door to Miss Minchin's school. Carrisford had been Captain Crewe's friend and partner in the diamond mines. After the diamond mine venture failed, both Crewe and Carrisford became very ill, and Carrisford in his delirium abandoned his friend Crewe, who died of his "brain fever". As it turned out, the diamond mines did not fail, but instead were a great success, making Carrisford extremely rich. Although Carrisford survived, he suffers from several ailments and is guilt-ridden over abandoning his friend. He is determined to find Crewe's daughter and heir, although he does not know where she is and thinks she is attending school in France.

For the Temple, A Tale of the Fall of Jerusalem by G. A. Henty, 1880.In all history, there is no drama of more terrible interest than that which terminated with the total destruction of Jerusalem. Had the whole Jewish nation joined in the desperate resistance made, by a section of it, to the overwhelming strength of Rome, the world would have had no record of truer patriotism than that displayed, by this small people, in their resistance to the forces of the mistress of the world.Unhappily, the reverse of this was the case. Except in the defense of Jotapata and Gamala, it can scarcely be said that the Jewish people, as a body, offered any serious resistance to the arms of Rome. The defenders of Jerusalem were a mere fraction of its population--a fraction composed almost entirely of turbulent characters and robber bands, who fought with the fury of desperation; after having placed themselves beyond the pale of forgiveness, or mercy, by the deeds of unutterable cruelty with which they had desolated the city, before its siege by the Romans. They fought, it is true, with unflinching courage--a courage never surpassed in history--but it was the courage of despair; and its result was to bring destruction upon the whole population, as well as upon themselves.Fortunately the narrative of Josephus, an eyewitness of the events which he describes, has come down to us; and it is the storehouse from which all subsequent histories of the events have been drawn. It is, no doubt, tinged throughout by his desire to stand well with his patrons, Vespasian and Titus; but there is no reason to doubt the accuracy of his descriptions. I have endeavored to present you with as vivid a picture as possible of the events of the war, without encumbering the story with details and, except as regards the exploits of John of Gamala, of whom Josephus says nothing, have strictly followed, in every particular, the narrative of the historian.G. A. Henty

A NOISY ROUGESome of the feathered folk in Pleasant Valley said that old Mr. Crow was the noisiest person in the neighborhood. But they must have forgotten all about Mr. Crow's knavish cousin, Jasper Jay. And it was not only in summer, either, that Jasper's shrieks and laughter woke the echoes. Since it was his habit to spend his winters right there in Farmer Green's young pines, near the foot of Blue Mountain, p. 2on many a cold morning Jasper's ear-splitting "Jay! jay!" rang out on the frosty air.At that season Jasper often visited the farm buildings, in the hope of finding a few kernels of corn scattered about the door of the corn-crib. But it seemed to make little difference to him whether he found food there or not. If he caught the cat out of doors he had good sport teasing her. And he always enjoyed that.

The Gilded Age, by Mark Twain and Charles Dudley Warner, is a political roman à clef--a direct and caustic attack on government, politicians, and big business in Post-Civil War America. It is the book that gave an era its name. Published in 1873, the first year of the second scandal-ridden Grant administration, it is the first novel of consequence about Washington in all of American writing, as Ward Just notes in his Introduction. The Gilded Age "gives Washington the aspect of a clumsy frontier town of ludicrous aspirations, populated mainly by fools, racketeers, opportunists, and parvenus, most of them members of the United States Congress," Just writes. The Gilded Age trains its satire on corruption in politics, business and the courts; "As Twain famously said, there is no distinctly native American criminal class except Congress, and the great triumph of The Gilded Age is that we are given chapter and verse on how the thievery is done." Just notes that readers will see for themselves whether Twain and Warner's subtitle for The Gilded Age--"A Tale of To-Day"--is still accurate.

This work is designed as a supplement to the Adventures of Telemachus. It treats of the conduct and sufferings of Ulysses, the father of Telemachus. The picture which it exhibits is that of a brave man struggling with adversity; by a wise use of events, and with an inimitable presence of mind under difficulties, forcing out a way for himself through the severest trials to which human life can be exposed; with enemies natural and preternatural surrounding him on all sides. The agents in this tale, besides men and women, are giants, enchanters, sirens: things which denote external force or internal temptations, the twofold danger which a wise fortitude must expect to encounter in its course through this world. The fictions contained in it will be found to comprehend some of the most admired inventions of Grecian mythology.The groundwork of the story is as old as the Odyssey, but the moral and the coloring are comparatively modern. By avoiding the prolixity which marks the speeches and the descriptions in Homer, I have gained a rapidity to the narration which I hope will make it more attractive and give it more the air of a romance to young readers, though I am sensible that by the curtailment I have sacrificed in many places the manners to the passion, the subordinate characteristics to the essential interest of the story. The attempt is not to be considered as seeking a comparison with any of the direct translations of the Odyssey, either in prose or verse, though if I were to state the obligations which I have had to one obsolete version, [Footnote: The translation of Homer by Chapman in the reign of James I.] I should run the hazard of depriving myself of the very slender degree of reputation which I could hope to acquire from a trifle like the present undertaking.

The contents of a shark's stomach contain a bottle that holds partially deteriorated notes written in three different languages. Together they give clues to the location of Captain Harry Grant, whose ship the Britannia was lost at sea. While the latitude (37th parallel) of Grant is known from the notes, the longitude is a mystery. Lord Glenarvan makes it his quest to find Grant; together with his wife, Harry Grant's two children, and the crew of his yacht the Duncan, they set off for South America. On their journey the searchers encounter storms, earthquakes, deserts, floods, pirates, cannibals, wolves, and numerous other dangers as they trace the 37th parallel across South America, then across Australia, and finally across New Zealand. Includes 90 vintage illustrations from the original 1873 edition.

The surprise was that Pinocchio, when he awoke, scratched his head, and in scratching his head he discovered, to his great astonishment, that his ears had grown more than a hand.You know that the puppet from his birth had always had very small ears—so small that they were not visible to the naked eye. You can imagine then what he felt when he found that during the night his ears had become so long that they seemed like two brooms.He went at once in search of a glass that he might look at himself, but, not being able to find one, he filled the basin of his washing-stand with water, and he saw reflected what he certainly would never have wished to see. He saw his head embellished with a magnificent pair of donkey's ears!

A Tramp Abroad is a work of travel literature, including a mixture of autobiography and fictional events, by American author Mark Twain, published in 1880. The book details a journey by the author, with his friend Harris (a character created for the book, and based on his closest friend, Joseph Twichell), through central and southern Europe. While the stated goal of the journey is to walk most of the way, the men find themselves using other forms of transport as they traverse the continent. The book is the fourth of Mark Twain's six travel books published during his lifetime and is often thought to be an unofficial sequel to the first one, The Innocents Abroad.As the two men make their way through Germany, the Alps, and Italy, they encounter situations made all the more humorous by their reactions to them. The narrator (Twain) plays the part of the American tourist of the time, believing that he understands all that he sees, but in reality understanding none of it.The first half of the book covers their stay in south-western Germany (Heidelberg, Mannheim, a trip on the Neckar river, Baden-Baden and the Black Forest). The second part describes his travels through Switzerland and eastern France (Lucerne, Interlaken, Zermatt, Chamonix and Geneva). The end of the book covers his trip through several cities in northern Italy (Milan, Venice and Rome). Several other cities are touched and described during their travels, as well as mountains such as Matterhorn, the Jungfrau, the Rigi-Kulm and Mont-Blanc.Interleaved with the narration, Mark Twain inserted also stories not related to the trip, such as Bluejay Yarn, The Man who put up at Gadsby's and others; as well as many German Legends, partly invented by the author himself.Six appendices are included in the book. They are short essays dedicated to different topics. The role of The Portier in European hotels and how they make their living, a description of Heidelberg Castle, an essay on College Prisons in Germany, "The Awful German Language", a humorous essay on German language, a short story called "The Legend of the Castle" and finally a satirical description of German newspapers.

There are always two ways of looking at a thing, frequently there are six or seven; but two ways of looking at a London fog are quite enough. When it is thick and yellow in the streets and stings a man's throat and lungs as he breathes it, an awakening in the early morning is either an unearthly and grewsome, or a mysteriously enclosing, secluding, and comfortable thing. If one awakens in a healthy body, and with a clear brain rested by normal sleepThe other way is marked by enormous differences.The clock struck nine as he did so, consequently he knew the hour. The lodging-house slavey had aroused him by coming to light the fire. She had set her candle on the hearth and done her work as stealthily as possible, but he had been disturbed, though he had made a desperate effort to struggle back into sleep. That was no use—no use. He was awake and he was in the midst of it all again. Without the sense of luxurious comfort he opened his eyes and turned upon his back, throwing out his armsAs he watched the painful flickering of the damp and smoking wood and coal he remembered this and thought that there had been a lifetime of such awakenings, not knowing that the morbidness of a fagged brain blotted out the memory of more normal days and told him fantastic lies which were but a hundredth part truth. He could see only the hundredth part truth, and it assumed proportions so huge that he could see nothing else. In such a state the human brain is an infernal machine and its workings can only be conquered if the mortal thing whichAntony Dart had not learned this thing and the clamor had had its hideous way with him. Physicians would have given a name to his mental and physical condition. He had heard these names often—applied to men the strain of whose lives had been like the strain of his own, and had left them as it had left him—jaded, joyless, breaking things. Some of them had been broken and had died or were dragging out bruised and tormented days in their own homes or in mad-houses. He always shuddered when he heard their names,"Something is wrong," he mutHis thin lips drew themselves back against his teeth in a mirthless smile which was like a grin."Yes," he said. "I am pretty far gone. I am beginning to talk to myself about God. Bryan did it just before he was taken to Dr. Hewletts' place and cut his throat."